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‘Hannigan conducts and sings Gérard Grisey’s final prescient work with style, conceiving it as a triptych with works by Haydn and Luigi Nono’ ****

  • March 26, 2020
  • The Guardian – Andrew Clements

Read the review on The Guardian

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Previous review‘The precision with which Hannigan and the musicians of the Dutch orchestra Ludwig lure you to the realm of the dead is breathtaking’ *****
Next review‘The singer’s extraordinary agility and the care she takes over the slightest note makes the page resemble a sanctification of pain’
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